A visual display updates in real-time to show the signal path, clearly indicating whether sections like the filters are placed pre- or post-compressor.
Two distinct Class A tube stages for harmonic saturation.
This section defines the "color" of the track. Users can choose from: URS Classic Console Strip Pro VST 2.0.0
The compressor is highly versatile, with 60 presets that mimic the curves of iconic hardware like:
Native versions (including VST) utilize 64-bit Double Precision processing to ensure maximum headroom and clarity while preventing internal digital clipping. A visual display updates in real-time to show
The four-band parametric EQ allows you to choose from five classic models for : 1951: Tube-based Program EQ (Pultec-style). 1967: American 4-band Console EQ (API-style). 1970: British 3-band Class A Console EQ (Neve 1073-style).
The plugin’s primary strength is its ability to let users build their own custom signal path by selecting specific algorithms for each stage of the channel strip—Input Stage, Compressor, and EQ. Instead of emulating a single specific console, it acts as a "Frankenstein" desk where you can use a 1970s British input stage, an 1176-style compressor, and a Pultec-style EQ in a single interface. Users can choose from: The compressor is highly
Version 2.0.0 includes 30 selectable input stage algorithms, 60 compressor/limiter starting points, and 5 selectable EQ algorithms per parametric band.
Models based on Vari-Mu, Fairchild, and classic VCA-style compressors.
Emulations of fast-acting FET units (like the 1176) and smooth Opto compressors (like the LA-2A).